Warner has been a very busy guy, with a resume as long as your arm (literally).  The following items, spanning the years while he was affiliated with NCET, are taken from the longer version housed at www.o-art.org.

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1971 The San Francisco Chapter of The National Academy of Television Arts and Sciences : Honors Warner Jepson, composer, for contributing to the winning of an Area Television Academy Award for "Ski Touring" KQED; "Outstanding Achievement-Single Program"

1972 Feb. 16,17,18,19 "TOTENTANZ" Grace Cathedral

1972 May 1 National Center for Experiments in Television I become composer-in-residence, after first being asked to compose music for Stephen Beck's "Videosynthesis." One morning in late April, while I was working at the synthesizer to Steve's video, the noted French composer of music concrete, Pierre Schaefer, was visiting. Later that day the invitation to join the center was offered..

1972 Stephen Beck's "Videosynthesis" [10 min.] and Bill Gwin's "Irving Bridge" [50 min.] National Center for Experiments in TV, KQED S.F. my first scores as composer-in-residence on the Buchla 200 whose sounds I didn't like as well as those of the 100 at Mills.

1972 Nov. 10-12 "An Electric Concert" NCET at Southern Methodist U, Dallas TX Stephen Beck, on his video synthesizer, and I on Buchla's audio synthesizer, collaborated in a half-hour video and audio improvised presentation. In Dallas 5 days with all our equipment from SF NCET.